Der Schauspieldirektor ('The Impresario') was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. Composed: 1786 Length: c. 5 minutes Orchestration: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings First Los Angeles Philharmonic performance: March 26, 1944, Alfred Wallenstein conducting Mozart was busy with The Marriage of Figaro in January 1786, when a hard-to-ignore imperial commission arrived. Der Schauspieldirektor. Singspiel in one Act kv 486 Composer Wolfgang Amadeus Mozart libretto Gottlieb Stephanie. Emperor Joseph II was partial to musical contests. In 1786 he decided to treat his court to a doublebill show intended to poke fun at the then most popular forms of stage music in Vienna: Italian opera and the German Singspiel. The whole point of Der Schauspieldirektor is the vocal duel between the two sopranos.' Ich bin die erste sangerin' Madame Herz should crow to Madame Silberklang. Pitting the woefully thin and empty soprano of Ruth Welting against the full and luscious voice of Ileana Cotrubas was a non starter, and this recording suffers accordingly. Der Schauspieldirektor (Buff) Posted Jasper Leever. Datum/Tijd Datum - 11:00 - 12:00 uur. Locatie Join Nord.
| Der Schauspieldirektor | |
|---|---|
| Singspiel by W. A. Mozart | |
| Translation | The Impresario |
| Librettist | Gottlieb Stephanie |
| Language | German |
| Premiere | 7 February 1786 |
Der Schauspieldirektor (The Impresario), K. 486, is a comic singspiel by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian Schauspieldirektor. Originally, it was written because of 'the imperial command' of the Holy Roman EmperorJoseph II who had invited 80 guests to a private luncheon.[1]It is regarded as 'a parody on the vanity of singers',[1] who argue over status and pay.
Mozart, who describes it as 'comedy with music'[2] wrote it as his entry in a musical competition which was given a private performance hosted on 7 February 1786 by Joseph II at the Schönbrunn Palace in Vienna.[3] This competition pitted a German singspiel, presented at one end of the room, against a competing Italian opera, the Italian entry being Antonio Salieri's opera buffa, Prima la musica e poi le parole (First the Music, then the Words), which was then given at the other end of the room.[1] The premiere was followed by the first of three public performances given four days later at the Kärntnertor Theater, Vienna, on 11 February.[3]
Composition history[edit]
The work was written during a very creative period in Mozart's life, at the same time as his Le nozze di Figaro, which premiered later the same year, along with three piano concertos and 'another dozen major works'.[1]
In addition to the overture, there are only four vocal numbers in the score, and the musical content (about 30 minutes)[4] is surrounded by much spoken dialogue, typical in its day. One highlight, which Erik Smith describes as very funny, is where 'each lady sings about the nobility of her art while trying to defeat her rival with ever higher notes'.[1] Although it has been described as a 'silly farce', Mozart appears to have taken the opportunity to write serious arias[2] and thus the 'audition' of Madame Herz includes her aria 'Da schlägt die Abschiedsstunde' ('There tolls the hour of departure'), while Mme Silberklang sings the elegant rondo, 'Bester Jüngling' ('Dearest Youth').[2]
Performance history[edit]
The opera was first presented in the United Kingdom on 30 May 1857 at the St James's Theatre in London and given its US premiere at the Stadt Theatre in New York on 9 November 1870.[1]
In modern times, the text is usually completely rewritten for contemporary relevance, which was the case for the 2014 production given by the Santa Fe Opera. There it had 'English dialogue by the British dramatist Ranjit Bolt and additional Mozart concert arias folded into the score' with the action taking place in Paris in the 1920s.[5]The cast included Anthony Michaels-Moore, Brenda Rae, Meredith Arwady, and Erin Morley.[6]
Der Schauspieldirektor Mozart
The 1966 recording by the English Chamber Orchestra (conducted by André Previn), was performed with an English libretto penned by Previn's then wife Dory Previn, who transplanted the amusing tale to the 20th century.[7]
Roles[edit]
| Role | Voice type | Premiere cast, 7 February 1786[3] (Conductor: – ) |
|---|---|---|
| Frank, an impresario | spoken role | Johann Gottlieb Stephanie Jr. |
| Eiler, a banker | spoken role | Johann Franz Hieronymus Brockmann |
| Buff, a buffo singer | bass | Joseph Weidmann |
| Monsieur Vogelsang, a singer | tenor | Valentin Adamberger |
| Madame Herz, a singer | soprano | Aloysia Weber |
| Mademoiselle Silberklang, a singer | soprano | Caterina Cavalieri |
| Herz, an actor | spoken role | Joseph Lange |
| Madame Pfeil, an actress | spoken role | Anna Maria Stephanie |
| Madame Krone, an actress | spoken role | Johanna Sacco |
| Madame Vogelsang, an actress | spoken role | Maria Anna Adamberger |
Synopsis[edit]
- Place: Vienna
- Time: 1786
:format(jpeg):mode_rgb():quality(40)/discogs-images/R-10729134-1508969651-6260.jpeg.jpg "Der schauspieldirektor the impresario")
Frank, the impresario (along with the buffo singer, Buff, who assists him) audition two actresses to be part of his new theatrical company. While both are hired, they then argue over who will get the prime role and who will be paid the most. To illustrate their strengths, each sings a striking aria to back her claim (Herz: 'Da schlägt die Abschiedsstunde', Silberklang: 'Bester Jüngling'). An agreement is reached when the tenor, Vogelsang, intervenes, in what Julian Rushton describes as a hilarious trio, 'Ich bin die erste Sängerin' (I am the prima donna) compromise is agreed to with each receiving 'large salaries and star billing'.[2] The work ended with the quartet 'Jeder Künstler strebt nach Ehre' (Every artist strives for glory).
Recordings[edit]
| Year | Cast: Madame Herz, Mlle Silberklang, Vogelsang, Buff | Conductor, Opera house and orchestra | Label[8] |
|---|---|---|---|
| 1966 | Judith Raskin, Reri Grist, Richard Lewis, Sherrill Milnes | André Previn, English Chamber Orchestra Leo McKern as Impresario[7] | CD: Sony Cat: 88985470422 Sleeve notes by George R. Marek |
| 1968 | Sylvia Geszty, Rosemarie Rönisch, Peter Schreier, Hermann Christian Polster | Helmut Koch, Kammerorchester Berlin | CD: Berlin Classics Cat: 9136. Complete recording of 10 scenes including those spoken. Also used in Brilliant Classics' Mozart – Complete Works. |
| 1974 | Reri Grist, Arleen Auger, Peter Schreier, Kurt Moll | Karl Böhm, Staatskapelle Dresden | CD: Deutsche Grammophon Cat: DG 429 877-2 (+ Die Zauberflöte) |
| 1986 | Magda Nador, Krisztina Laki, Thomas Hampson, Harry van der Kamp | Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | CD: Teldec Cat: 8 43336 (+ Salieri's Prima la musica, poi la parole) |
| 1990 | Edita Gruberová, Kiri Te Kanawa, Uwe Heilmann, Manfred Jungwirth | John Pritchard, Vienna Philharmonic | CD: Decca, Cat: 475 7049 (+ concert arias) |
| 2001 | Cyndia Sieden, Sharon Baker, John Aler, Kevin Deas | Martin Pearlman, Boston Baroque | CD: Telarc Cat: 80573 (+ Der wohltätige Derwisch [de] by Benedikt Schack) |
References[edit]
Notes
- ^ abcdefSmith 2001, p. 608
- ^ abcdRushton 1998, p. 214
- ^ abcOpera Glass on opera.stanford.edu
- ^Libretto, in German (musical numbers only) on opera.stanford.edu
- ^Details of the 2014 production on santafeopera.org
- ^James Keller, 'Songbirds at the Opera: The Impresario and Le rossignol, The Santa Fe New Mexican, 18 July 2014
- ^ abMozart: The Impresario, Presto Classical
- ^Recordings on operadis-opera-discography
Sources
The Impresario Opera
- Rushton, Julian (1998). 'Der Schauspieldirektor'. In Stanley Sadie (ed.). The New Grove Dictionary of Opera. 4. London: Macmillan. ISBN0-333-73432-7.
- Smith, Erik (2001). 'Der Schauspieldirektor'. In Amanda Holden (ed.). The New Penguin Opera Guide. New York: Penguin Putnam. ISBN0-14-029312-4.
External links[edit]
- Der Schauspieldirektor: Score and critical report(in German) in the Neue Mozart-Ausgabe
- Synopsis from Stanford University
- Der Schauspieldirektor: Scores at the International Music Score Library Project
- Extensive list of recordings (1938–2006) and some audio, Mozarteum's digital Neue Mozart-Ausgabe
- 'Da schlägt die Abschiedsstunde' on YouTube, Judith Howarth; Colin Davis conducting (1991)
- 'Bester Jüngling' on YouTube, Yvonne Kenny; Colin Davis conducting (1991)
- 'Ich bin die erste Sängerin' on YouTube, Kenny, Howarth, Barry Banks; Colin Davis conducting (1991)
- 'Jeder Künstler strebt nach Ehre' (finale) on YouTube, Kenny, Howarth, Banks, Matthew Best; Colin Davis conducting (1991)
